Providing you have sufficient time and budget, you may find it useful to research the proposed creative ideas among a representative selection of your target audience. No matter how well you may think you understand your customer/advertising responses in general, this type of research can still prove invaluable in further strengthening the campaign under development. This research can be undertaken either by the communications agency, or alternatively by an independent Research Specialist. During the earlier stages of creative development, the creative proposals are likely to be shown to consumers within small-scale discussion groups or one-to-one interviews. This format provides the most flexible way for the consumer to respond in their own words to the proposed campaign. If appropriate, this type of research can be held within a specialist facility, allowing the discussion to be observed by interested parties through a special screen (yes, this is legal, but only providing you adhere to the various terms and conditions stipulated in The Market Research Society’s Professional Code of Conduct).
Towards the later stages of creative development, you may also wish to undertake a so-called ‘pre-test’: a larger-scale, quantitative survey, which attempts to provide a statistical prediction of how your campaign will actually perform, in-market. This exercise would be handled by a specialist Research Agency. Although this type of research can have its uses, beware treating it as an exact science: each Research Agency has its own particular methods and philosophies, and any creative idea ultimately eludes a strictly numerical analysis.
For campaigns which are going to run internationally, it is clearly important to ensure that this wider target market is reflected within the research process. Crucially, this doesn’t mean that the campaign has to be researched within every single market in which you intend to operate, not least because such an undertaking would wreak havoc upon your timing plan and budget. Instead, identify those markets which are most important to you. From that list, you should then select the core group of countries which, in your judgement, embody the greatest cultural or behavioural differences (for example for a pan-European business, you might consider restricting your research to a representative country in each of Northern, Southern and Eastern Europe).
The communications business splits into many different elements. Some companies seek to offer all services (so called ‘one stop shopping’); others focus on one particular discipline. Whatever the structure and philosophy of the companies you might be working with, it is essential that everyone works to the same Brand Vision and Branding Idea. If the different elements of the communication look as though they’ve come from different companies, then your brand risks looking indecisive, even schizophrenic, assuming that anyone notices it in the first place.
International businesses should, of course, check that each of their suppliers is able to operate across each of the countries within the marketing plan. Moreover, a supplier’s claimed ‘international credentials’ should not be taken at face value: are their international operations a wholly-owned, organic part of their organisation, or are there certain countries in which the operations are delegated to a third party? If the latter is the case, then how, exactly, does the process work, and how successful has the relationship proven in the past? A brief list of the disciplines is outlined below.
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