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Today power is about persuasion - ...t out in the 2003 Communications Act. No sooner had the results and recommendations of this review been digested than the second review began: Parliam...
Episodic manifestations of power - ...gave us Ofcom, "tough action when necessary." Industry participants are required and expected to be cautious and correct, and no doubt Ofcom's arsenal...
Contrasts between the BBC and the American Media - ...ould be financed entirely by taxation, thereby avoiding the heavily commercialized nature of the American media. Although he would have been political...
How postmodernism interacts with the media - ...ce and ‘depthlessness'. This may help explain why postmodern aesthetics appear to indulge in increased levels of intertextuality, generic hybrid...
Digital characteristics of New Media and its key qualities - ...>1 numerical representation; 2 modularity (the principle of assembling larger units from smaller ones); 3 automation; 4 variab...
How to understand the concept of New Media - ...arch, suggesting the openness of New Media to ‘cut and paste' different methods and theoretical approaches together. However, although there may...
The New Media and its democratic character - ...t to illustrate the increased ability of ‘ordinary' people to become actively involved in the very production of the media; moving power away fr...
The connection between postmodernism and New Media - ...omy to a service-based economy. This society is typified by the rise of new information technologies, the globalization of financial markets, the grow...
The Internet is also a medium of television distribution - ... YouTube with its user-generated videos, the Internet has made a new kind of access to formerly heavily controlled programming possible. Most major ...
Digital cinema covers the entire movie production - ...tury, to the end of the twentieth century. Lucas's comment, in its denigration of the ‘ancient history' of celluloid, indicates a new reality, a...
A few definitions of digital television - ...o 2000. Analogue media rely on a physical replica (or analogue) of a physical phenomenon, like sound or pictures, that can be transmitted or preserved...
Production and distribution of digital and cable television - ...sy-to-use digital linear editing systems in the late 1990s, such as AVID, Final Cut Pro, Adobe Premiere, and the like, along with digital Mini-DV ...
How digital films are distributed and exhibited - ...saturation-release strategies. There is a substantial saving on print costs in such cases: at a minimum cost per print of $1200-2000, the cost of conv...

Latest "Political News" Articles


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The political power of media in UK (12/15/2009)
(...) One objective of this article, however, is to demonstrate that despite demonstrable regional variance in creative industry agendas and outcomes, "national institutions" and the knowledges they produce do still matter." More specifically, I suggest, the metaphorical geography represented by the "Mapping Document" is interesting and important not only for what it allows (the mobilization and operationalization of power) but for what it potentially disguises or (to use the word favored by Matthew Sparke) "dissembles": the consequential local geographies that shape and make creativity and its content in the first place.. (...)
Political power and media go hand in hand (12/15/2009)
(...) " For another thing, interpreting the removal of specific regulatory ordinances as a sign of a moderation of power would, I argue, be to fundamentally misunderstand the nature of the power relations in play here. This latter suggestion requires careful amplification. Often power is not just, or not even mainly, about handing down dictates and expecting and enforcing observance. (...)
Today power is about persuasion (12/15/2009)
(...) What matters is that Ofcom's proposals are backed by a model: a model framed by an expert advisory panel and, in its level of methodological sophistication, entirely unintelligible to (not to mention contestable by) almost everybody concerned with the review. The content and assumptions of the model are less significant than the fact that there is a model that can be used for reference, support, justification-and even comfort. This, it strikes me, is precisely what Ted Porter so fittingly calls "trust in numbers. (...)
Episodic manifestations of power (12/15/2009)
(...) Ofcom is fully accountable to Parliament through various Parliamentary Committees and the National Audit Office. Indeed if Ofcom, as a disciplinary regime, fails to deliver adequate "performance" and demonstrate acceptable standards against its various duties and regulatory principles, then it is quite feasible for the government to intervene and to establish a new disciplinary regime-with, undoubtedly, its own alternative experts and truths. Hence Richard Collins's pertinent observation that where the UK media sector is concerned, "much power still resides with government. (...)

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